Sally Rooney became a literary sensation in her native Ireland with the release of her debut novel, Conversations with Friends, in 2017. Now, the brilliant, Booker Prize-nominated Normal People has only enhanced her reputation.

The novel is partly set in the small Irish town of Carricklea. Sixteen-year-olds Marianne and Connell attend the same school but are worlds apart socially and financially. Marianne is plump, uncool and unliked. She comes from a well-off family, which isolates her from her blue-collar classmates. The star of the football team, Connell, is a slightly aloof, decent, sweetly unassuming guy who picks his mother up from her cleaning job.

A clandestine affair starts between the two, but at school Connell barely acknowledges Marianne. Marianne is treated badly at home, too, where she is ignored by her widowed mother and bullied by her brother. Connell's casual cruelty evokes all the insecurities of teen life, of fitting in and worrying about what people think. It sets a precedent: Marianne longs for Connell's love, and he appears unable to give it. The complex relationship between the two—their incredible closeness and dysfunction—is masterfully done.

Both Marianne and Connell receive academic scholarships to Trinity College in Dublin, and over the years, their lives bisect and cross. Marianne becomes popular, while Connell becomes introverted and distant. They become best friends, relying on each other's counsel as they both enter into new relationships. But there is also a fractious, complicated longing that neither seems to know how to handle. Marianne's bad choices in boyfriends—bullies and emotional abusers—only put Connell's qualities in sharp relief. But he, too, is suffering. Depression sees him visiting a therapist and scuppers his relationship with a college girlfriend. 

The quality of Rooney's writing, particularly in the psychologically wrought sex scenes, cannot be understated as she brilliantly provides a window into her protagonists' true selves. Ultimately, when life bashes them and there is nowhere to turn, they find they always have each other.

In this follow-up to Irish author Rooney's award-winning debut, Conversations with Friends, center-of-everyone's-attention Connell connects with proud, inward Marianne when he picks up his moter from work at Marianne's house. Their attraction continues at Trinity College in Dublin, but will Marianne's self-destructive tendencies end it all?

Marianne and Connell attend the same secondary school in Carricklea, a small town in Sligo, Ireland. The popular Connell, captain of the football team and a promising scholar, is the son of a single mother who cleans house for Marianne's mother. Marianne, bullied by her financially well-off family, occupies the lowest rung of the school's social ladder but outshines all of her peers academically. Though they avoid each other in public, Marianne and Connell share an intense emotional bond reinforced by secrecy and sex. Over several years, both will test and undermine this fierce and sometimes disturbing attachment. As the intimacy between Marianne and Connell evolves over time, they seem to identify and embrace varying degrees of self-worth from their powerful regard for each other, which may depend on a mutual acceptance of the social, economic, and emotional inequalities they have at different times embraced and exploited at their own and each other's expense. VERDICT This brilliantly nuanced second novel fulfills the promise evident in the stunning debut, Conversations with Friends, as Rooney once again portrays to dazzling effect intelligent young adults who negotiate social roles and scenarios reinforcing power structures that, for better or worse, define relationships. Marianne and Connell are unforgettable characters, alluring and sympathetic, and Rooney is a formidable talent. A major literary achievement. [See Prepub Alert, 10/15/18.]—John G. Matthews, Washington State Univ. Libs., Pullman

Rooney (Conversations with Friends) stuns with her depiction of an on-again off-again relationship between two young adults navigating social pressures. Connell is a popular soccer player at his school in Carricklea, Ireland. He embarks on a secret, mostly sexual relationship with Marianne, the socially isolated and mistreated daughter of the wealthy family Connell's mom cleans for. Connell's paranoia about social standing spoils their relationship when he asks another classmate to a school dance. When they connect again as students at Trinity College in Dublin, Marianne has found a stronger voice and a large group of friends while Connell struggles to adapt to college life. A miscommunication scuttles their second attempt at a relationship, and Marianne soon gets involved with a boorish student with sadistic sexual desires. She confides in Connell about her ambivalence toward rough sex, but he fails to act on his strong desire to protect her. Personal crises and dissembling about feelings push the pair alternatively together and apart up to an open-ended but satisfying conclusion. Rooney crafts a devastating story from a series of everyday sorrows by delicately traversing female and male anxieties over sex, class, and popularity. This is a magnificent novel. (Apr.)

Rooney (Conversations with Friends) stuns with her depiction of an on-again off-again relationship between two young adults navigating social pressures. Connell is a popular soccer player at his school in Carricklea, Ireland. He embarks on a secret, mostly sexual relationship with Marianne, the socially isolated and mistreated daughter of the wealthy family Connell's mom cleans for. Connell's paranoia about social standing spoils their relationship when he asks another classmate to a school dance. When they connect again as students at Trinity College in Dublin, Marianne has found a stronger voice and a large group of friends while Connell struggles to adapt to college life. A miscommunication scuttles their second attempt at a relationship, and Marianne soon gets involved with a boorish student with sadistic sexual desires. She confides in Connell about her ambivalence toward rough sex, but he fails to act on his strong desire to protect her. Personal crises and dissembling about feelings push the pair alternatively together and apart up to an open-ended but satisfying conclusion. Rooney crafts a devastating story from a series of everyday sorrows by delicately traversing female and male anxieties over sex, class, and popularity. This is a magnificent novel. (Apr.)