Critical Readings. "Old fashioned - naughty - everything-": Uncreating Male and Female in the Poetry of Emily Dickinson / Nicolas Tredell -- "Most men are human": Race and Grant Allen's The Type-Writer Girl / Kellie Holzer -- Names by the Numbers: A Quantitative Close Reading of Mrs. Manson Mingott and Madame Olenska's Shlfting Names and Identities in Edith Wharton's The Age of Innocence / Sarah Fredericks -- Revisiting Amy Lowell's World War I Poetry / Julie Goodspeed-Chadwick -- Mary Carolyn Davies: An Unknown Poet of the First World War / Robert C. Evans -- The Woman Alone: Singleness and Survival in Jean Rhys's Quartet / Nicolas Tredell -- Double Femininity: Double Indemnity and the Femme Fatale Archetype / Zachariah Pippin -- The 1998 Film of Toni Morrison's Beloved: A Survey of Critical Reactions / Alexzina Taylor Wilks -- The Film Version of Amy Tan's The Joy Luck Club: A Survey of Critical Reactions / Jordan Bailey -- Margaret Atwood's Penelopiad: Scholarship, Theatrical Reviews, and Commentary / Robert C. Evans.
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